To the right there, a classic from my design library that I visit over and over and encourage my guys to consider from time to time ... It was written by David Pye, I believe in the 70s and has been a sort of guide for me over the years. Its all about the mark of the hand and how a design without that mark is different from one with it ... Keeps us all from obsessing too much, and helps to eliminate the danger of a perfectly executed (dead) object. Its many other things too ... design + art, seeing beauty, seeing in general ... its all there ... try it, youll like it ...
ahh Carl Haiisen ... this one had characters from The Ocean Reef Club, a place on Key Largo where I lived for the winter of 1970...classic light, humorous entertainment ... suspend disbelief, laugh ... Classic Carl ... See here too ...
The New Yorker article on the new surge in uranium mines. A psychological mystery about people who actually want to have uranium mines in their towns even though some of their relatives died early and horrible deaths from the last round of it .. go figure...
And then a serious article in Rolling Stone on glacial melting ... absolutely frightening ... ditto with BP and bankruptcy ... These folks are digging pretty deep and doing some excellent writing about it ... Im a returning RS subscriber who lapsed when Hunter Thompson died a few years back ... Now I remember .... They are good.
And, Islands in the Stream, a Hemingchoice classic I missed somehow. Some of the finest writing on deep sea fishing, family, friends, war .... the big picture ... For the first time, I got a serious linear connection between Hemingchoice and another of my favorite storytellers, Cormac McCarthy ... A fine piece of writing that stirred some deep thoughts on the creative process. Phew! Those folks drank a lot though ...
And lastly .. one of my clients sent me this one ... Shop Class as Soulcraft by Matthew Crawford. Crawford is an educated man with several advanced degrees who has gone from working in a think tank (knowledge work), to working with his hands as a motorcycle mechanic and electrician. He compares knowledge work with manual work and makes the point that the manual kind has been somewhat demeaned in todays hierarchy of education goals. He discusses the kind of diagnostic thinking and brain action that come with working and learning with your hands ... Hes preaching to the choir here, and it was a bit of a heavy sled, but I stuck with it. Hes got a point. I find my work as a designer/craftsman/builder/maker/customer relations person totally and completely engaging. I didnt need to read the book to know that, but its nice to have it pointed out to me and my employees by an obviously very smart person, that we are indeed on the road to intellectual fulfillment if not that big pile of dollars in the sky. I cant imagine myself behind a desk full time, or in a situation where, at the end of the week, I couldnt point to some concrete evidence of the effort I had put in for that week ... Its Friday; it was a good week; we worked on a ton of different stuff and I feel really good about all of it.
This is one in a series of post I have written on this subject. For others, heres a link ... and here, another ... Get out of the shop from time to time ... read a little
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